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Pianoteq PRO is the ultimate product for professional composers and recording studios, and has proved to be an indispensable tool in many recording projects - from movie soundtracks and tv commercials to the latest hit songs.
- F2 O" r4 b6 S5 N4 F; D: }+ cBy being physically modelled, Pianoteq PRO brings you an extremely sophisticated tool for sound shaping and instrument creation, letting you create your own unique sounds that will enrich your projects. The PRO version works with internal sample rates up to 192 Khz. By using its powerful Note Edit feature, you are able to adjust physical parameters for specific ranges, and even note by note. You can also turn any Pianoteq instrument into a multi-instrument by using advanced keyboard splits for up to 105 notes (concerns instruments with extended octave range).5 o1 n* e3 n# a S+ D$ c( C/ X v/ F
Note editor9 u0 a1 n- n2 X$ f' A: \
The note editor is designed so that you can work with it effectively - it saves you time and increases your creativity. On top of this, its spectrum profile editor lets you adjust each overtone for each note, bringing you thousands of sound combinations that will help you finding your own unique instrument." \% h5 D' b3 f6 A6 N
Powerful note editing
5 s! E- g7 H9 ~( B, }# K; j/ aPianoteq PRO offers note-by-note adjustment for no less than 30 parameters:8 Q# ~# x) w. @
Volume* U: `7 w* m" V
Detune! x9 r' ~) k8 h
Dynamics
% o1 c1 M) N D5 T" ^; l8 N) rUnison Width
L" {% @ Z2 ?) L+ I7 jUnison Balance
# P7 d8 I: e( _5 K3 i( ^$ k+ yDirect Sound Duration
: t1 S' V) y# }: A9 ?: YHammer Hardness Piano, |8 O {. b5 I' Q" [
Hammer Hardness Mezzo
- l, ]3 G9 u4 S" \0 ^Hammer Hardness Forte
+ z( e4 s" W2 ], a: w% qSpectrum Profile
, X% Y' x/ g \- o4 d T* L5 pHammer Noise! ~5 p1 m% j1 v) f
Strike Point4 G9 U. x/ t* a6 e0 @
Pickup Symmetry1 \9 F% \) @. a. ]! w. f. B
Pickup Distance( L- c5 x/ X6 G N4 F/ W3 T V# T
Impedance
4 c5 {- h6 |$ c% S7 V8 vCutoff
8 n7 f5 C6 a' `3 fQ Factor- `: X! i- U0 t2 [6 q }
String Length6 z$ Q( Z3 d$ |4 p- {9 `, z
Sympathetic Resonance
# A/ o0 x1 i& k2 e3 K4 zPinch Harmonic Point
9 A1 U9 G- |) r3 _6 n: NDuplex Scale Resonance9 w6 e+ ~7 a1 V* G, |
Damper Position
: L; V) _: W1 W8 ^5 jDamping Duration
/ A& h' A5 p# I8 ?Mute( y8 Z2 X( P' R4 l5 C O9 @+ x
Damper Noise' ]- o& `1 E4 x8 l) m
Key Release Noise" ~, S7 c8 s, L- B+ \
Blooming Energy
" Q1 H9 @# a9 u! {; W9 [( `Blooming Inertia
) Q# I, [& i7 C$ |5 NAftertouch Sensitivity1 H5 H7 l* z; f: G* i! L
Hammer Tine Noise
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4 I4 E' r* G0 K/ v3 h y# XDATE:21 Mar 2020
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