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Pianoteq PRO is the ultimate product for professional composers and recording studios, and has proved to be an indispensable tool in many recording projects - from movie soundtracks and tv commercials to the latest hit songs. + O" B' p: f) W8 { l! Z. Z, h! `By being physically modelled, Pianoteq PRO brings you an extremely sophisticated tool for sound shaping and instrument creation, letting you create your own unique sounds that will enrich your projects. The PRO version works with internal sample rates up to 192 Khz. By using its powerful Note Edit feature, you are able to adjust physical parameters for specific ranges, and even note by note. You can also turn any Pianoteq instrument into a multi-instrument by using advanced keyboard splits for up to 105 notes (concerns instruments with extended octave range). - m3 F0 {7 \ J' ?. v' uNote editor6 p+ U, r* {$ y9 F' a
The note editor is designed so that you can work with it effectively - it saves you time and increases your creativity. On top of this, its spectrum profile editor lets you adjust each overtone for each note, bringing you thousands of sound combinations that will help you finding your own unique instrument. ( }! `! Z# M* ?Powerful note editing " T; ^, O/ @; f, GPianoteq PRO offers note-by-note adjustment for no less than 30 parameters:$ o4 E0 K) s) y, S$ V+ _
Volume 6 u5 ]7 f* w4 D/ QDetune , G6 K5 S1 A3 W9 A. |Dynamics 4 z7 q ^2 H) ~3 i: v8 kUnison Width$ N0 ]8 n* |5 f! R6 L- \2 v
Unison Balance; J9 g$ U* H7 n0 A7 |
Direct Sound Duration , @ Z! _4 B# n XHammer Hardness Piano3 V; F$ `: y0 Q) V( T
Hammer Hardness Mezzo/ B( g2 Y8 f5 X b$ Z
Hammer Hardness Forte ! z2 s1 Z' h0 g/ Z6 _1 z/ Y5 PSpectrum Profile, H& X3 f8 u' n4 }$ ?
Hammer Noise 6 I B+ l1 G. y+ X0 X- |Strike Point3 c w! e1 [2 E2 G$ L
Pickup Symmetry4 w3 i3 l4 @/ Y) T" t; l) ^2 ?
Pickup Distance7 x2 U3 Y) L; q) O' p
Impedance 5 F1 s) j1 B( FCutoff w+ ], ]! m9 e9 `( F! r3 L5 B# QQ Factor8 k( M1 X3 J: M4 P5 d3 Q
String Length; G$ a) s% k% U3 m% v7 {+ m
Sympathetic Resonance. N Y) ?. k) x* ?$ ]+ r. u
Pinch Harmonic Point! x r# e5 C) F3 W9 T
Duplex Scale Resonance6 T8 x) Y) [1 {6 _* V, I; ~. ^% v
Damper Position7 |# T, I8 }2 j i" g5 u. ]- }
Damping Duration " N# c: t" ]" I+ Z: |Mute 6 Z: c* G* a' P8 I& h/ t. u+ EDamper Noise 0 l# K; d7 c7 \9 AKey Release Noise - h& A2 a# A8 _ G7 X- a7 oBlooming Energy3 V- m. D% g% ]% ] O/ Y4 f
Blooming Inertia % Q5 A1 ~6 G0 ~- u; CAftertouch Sensitivity ! f5 t, n. s- @7 qHammer Tine Noise 0 T! ?8 B% e8 |. k7 d# G. F; F; B9 B5 h: h$ ]
DATE:21 Mar 2020. L6 b; m: Y8 m0 c& n2 l' x: U% Y+ s
